Released in 1995 when the ‘jazz not jazz’ ethos allowed labels such as Dorado, Mo’ Wax and Kevin Beadle’s Clean Up records to unite music makers of simpatico scenes – and in doing so showcasing how London would later give rise to the ‘broken beat’ movement – ‘Assimilation’ by Cool Breeze was more deceptive, much deeper in its construction and objectives than might have been originally thought – as much Bronx as Bristol and an emphasis on guitars and soul together with echo chambers and programmed beats.
Essex native Jamali Maddix keeps it real in his own way. He is a comedian of mixed-race heritage who mines the absurdity of various extremist groups through interaction and relatively gentle but persistent conversation. He’s a large, affable guy with a bushy beard and a tat on show. Posted Insta pics show a lager in one hand, a vaping device in the other. Both his ‘Hate Your Neighbour’ series for Vice and his stand-up sets are garnering him fame throughout the UK, Europe and the States.
He and his team, Green Gully, deserve major props for this.
Nowadays they’re barely a footnote in any Hip Hop history, but Caveman left us with good memories of a relatively brief yet still refreshing time in music when producers and rappers could look where they liked for inspiration, pushed an Afro-centric yet English viewpoint and were defiant about doing both.
Five years later, a ‘drum and bass mix’ meant something quite different but this qualifies as a roller as much as anything put out by LTJ Bukem on Good Looking. Ten years previously and the likes of Aswad, Pablo Gad and any number of reggae artists were putting out memorable rockers that swayed and andContinue reading “Bristol, 1991: Carlton releases Love and Pain. Smith & Mighty on production.”