A portrait – assembled from match-day programmes over forty hours-plus – of a former Burnley Football Club goalkeeper, Brian Jensen otherwise known as ‘The Beast’.
the shun, to think of Christmas. Bands mime pleas draped in an open fridge glare. Curved glass balls dot and blink, snowy triads filled with drink, and glee'd receipt presages meals mixed with rich stares.
just so you know the record you bought came from Dublin along with me and I have loved it dearly although you might not agree, as I am selling it, it is your job to love it too
Nix the subway train and ditch its mid-air bounce. Flick past the cover with the Dassler three-leaves. Frame SBR five-one-five hold up the pensive breaker freezing on a twelve one hundred direct drive. Black the blue dancer, what's spied in three-sixty, upside down, his weighty one-digit salute. Falls, a red duck-billed cap. Patched, the four horns that meet it flare- lit shellac is his shadow-blading map. Dunk, Oz-Harriet cross centre. A wrapped top-down dervish nesting on a palm's heel. Throws off a liberation past comedic brick club strata shot of the rap game's destination slam impromptu tap of a street lamp for party instead New York's helter skelter hunch make money. Leave art strobe lighting to the lone figure caught tableaux of a true boogaloo punch.
Side 1: The bombast! Growling energy. Lasting anew with surprise. Tint of mature scaled up for two minutes. Pace and pleasure foraged too besides. Blue menuet: rhythm and rhyme standing alone. Side 2: Familiar toast rack for all! This oestrogen fits in nicely With collected works of pogue McNulty mahone For the benefit of those once young. Obliging cover (funereal pace got me slow). Last roustabout on theme of etcetera. Engineered by: outdoor rain, not seeing growing belly. Produced by: parents (A1); when AWOL (all other tracks). Guests: morning blue (A2) Engelbert Humpty Dance (B2). Made by: (the music) you.